Kis Kisko Pyaar Karoon 2 Review: Kapil Sharma’s Chaotic Sequel is a Nostalgic but Bumpy Ride
Genre: Comedy / Drama
Director: Anukalp Goswami
Cast: Kapil Sharma, Manjot Singh, Hira Warina, Tridha Choudhary, Ayesha Khan, Parul Gulati, Sushant Singh, Asrani
Release Date: December 12, 2025
Runtime: 2h 22m
Introduction
A full decade after making his Bollywood debut, India’s comedy heavyweight Kapil Sharma returns to the franchise that launched his film career. Kis Kisko Pyaar Karoon 2 arrives with the promise of quadrupling the confusion and the laughter. Directed by Anukalp Goswami—a longtime writer for Sharma’s television sketches—the sequel leans heavily on the “comedy of errors” formula that defined 90s Bollywood. While Sharma’s comic timing remains as sharp as ever, the film struggles to modernize its premise, resulting in a slapstick entertainer that feels like a long, chaotic episode of his talk show rather than a cinematic evolution.
Plot Synopsis
The story revolves around Mohan Sharma (Kapil Sharma), a simple man with a complex problem. Mohan is deeply in love with Saniya (Hira Warina), but their path to matrimony is blocked by their orthodox families. In a desperate bid to be with her, Mohan agrees to a plan that goes spectacularly wrong. through a series of contrived accidents and forced circumstances—involving emotional blackmail and mistaken identities—Mohan ends up accidentally married to three other women instead of his true love.
He finds himself juggling three distinct households: Meera (Tridha Choudhary), a traditional Hindu wife; Ruhi (Ayesha Khan), who belongs to a Muslim family; and Jennie (Parul Gulati), a Christian woman from Goa. To keep the peace (and his head), Mohan constructs an elaborate web of lies, sprinting between avatars with the help of his frantic best friend, Harbir (Manjot Singh).
The chaos reaches a fever pitch when Saniya re-enters his life, oblivious to his triple marital status. Convinced he can finally marry his “one true love,” Mohan audaciously plans a fourth wedding. However, Inspector David D’Costa (Sushant Singh), a relentless cop tracking a serial bigamist, is hot on his trail. The climax converges in a massive, noisy showdown where all lies are exposed.
Critical Analysis
Direction and Screenplay
Anukalp Goswami takes over the directorial reins from Abbas-Mustan, and his background in television is evident. The film is structured less like a cohesive narrative and more like a series of loosely connected skits. The screenplay relies entirely on the suspension of disbelief; the logic is paper-thin, and the situations are often absurd. While this heightened reality is a staple of the genre (reminiscent of Govinda’s Coolie No. 1 era), the jokes in KKPK 2 often feel recycled. The pacing is breathless, leaving little room for the audience to question the plot holes, but this relentless energy can be exhausting.
Performances
Kapil Sharma is undoubtedly the soul of the film. He has grown as a performer since 2015, looking more polished and comfortable on the big screen. His deadpan reactions to the chaos around him save several flat scenes. He even handles the film’s brief emotional beats with surprising sincerity.
Manjot Singh steals the show as the hapless best friend. His chemistry with Sharma is electric, and his panic-stricken improvisations provide the film’s biggest laughs.
The leading ladies are given limited scope but do their best with stereotypical roles. Tridha Choudhary stands out with a poised performance as Meera, while Ayesha Khan and Parul Gulati add glamour and confusion to the mix. However, Hira Warina (Saniya) struggles to make an impact, often getting overshadowed by the comedic heavyweights around her.
Veterans Asrani and Sushant Singh are reliable as always. Asrani’s turn as a quirky priest offers a delightful burst of nostalgia, reminding audiences of the golden era of comedy.
Themes and Tone
Beneath the farce, the film attempts to weave in a message about national integration and secularism (“Unity in Diversity”). By navigating households of different faiths, Mohan’s character becomes an accidental symbol of communal harmony. While the intention is noble, the execution is heavy-handed. The preachy monologues in the climax feel jarring against the backdrop of a sex comedy premise.
Music and Visuals
The soundtrack is largely forgettable, serving as bathroom breaks rather than chart-toppers. The only exception is the track “Phurr” featuring Yo Yo Honey Singh, which injects some necessary adrenaline into the second half. Visually, the film is bright and colorful, with the production design using distinct color palettes to help the audience distinguish between Mohan’s three homes.
Strengths & Weaknesses
| Strengths | Weaknesses |
| Kapil Sharma’s Timing: His one-liners and expressions land perfectly. | Repetitive Plot: It feels like a rehash of the first film with no new twists. |
| Manjot Singh: Excellent support and comic relief. | Weak Logic: Requires total suspension of disbelief to enjoy. |
| Clean Humor: Largely family-friendly, avoiding overt vulgarity. | Regressive Tropes: The “deceitful husband” trope feels outdated in 2025. |
| Fast Pacing: The film moves quickly, preventing boredom. | Forgettable Music: Songs interrupt the flow rather than enhancing it. |
Final Verdict
Kis Kisko Pyaar Karoon 2 is a film made strictly for Kapil Sharma’s loyal fanbase. It offers comfort food for those who miss the mindless, high-energy comedies of the early 2000s. While it lacks the novelty of the original and the sophistication of modern satire, it delivers enough gag-per-minute laughs to be a passable weekend watch. If you can leave your brain at the door and enjoy the chaos, you might find yourself chuckling. If you are looking for cinema with depth or logic, look elsewhere.
Rating: 2.5 / 5 Stars